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Keynote speakers & PANELISTS

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Kira Thurman

 

Kira Thurman is an assistant professor of Germanic Languages and Literatures and History at the University of Michigan. A classically-trained pianist who grew up in Vienna, Thurman earned her PhD in history from the University of Rochester with a minor field in musicology from the Eastman School of Music. Her research, which has appeared in German Studies Review, Journal of the American Musicological Society (JAMS), Opera Quarterly, and Journal of World History, focuses on two topics that occasionally converge: the relationship between music and German national identity, and Central Europe's historical and contemporary relationship with the Black diaspora. Her book Singing Like Germans: Black Musicians in the Land of Bach, Beethoven, and Brahms will be puslished in October 2021 with Cornell University Press.

Photo: Annette Hornischer

Photo: Annette Hornischer

 

Keynote lecture: “Singing Brahms, Hearing Race:
Black Musicians and the German Lied in Interwar Germany and Austria”

In this talk, Dr. Kira Thurman will explore the rise in popularity of African American classical musicians in interwar Germany and Austria. Singing lieder by Schubert, Brahms, and other German composers, they challenged audiences’ expectations of what a Black performer looked and sounded like in the Jazz Age. Audiences labeled singers such as Marian Anderson and Roland Hayes “negroes with white souls,” and marveled at their musical mastery. If the listener closed his or her eyes and listened, these African American musicians, many remarked, “sounded like Germans.” How had they managed to accomplish this feat? By exploring the German reception of Black concert-singers, Thurman’s talk finds a new way to answer the question, “Can someone be Black and German?” by instead asking another: “What has it meant to be Black and to perform German music?”

Luis Manuel Garcia-Mispireta

 

Luis Manuel Garcia-Mispireta is a Lecturer in Ethnomusicology and Popular Music Studies at the University of Birmingham, with previous appointments at the Max Planck Institute for Human Development (Berlin) and the University of Groningen (NL). His research focuses on urban electronic dance music scenes, with a particular focus on affect, intimacy, stranger-sociability, embodiment, sexuality, creative industries and musical migration. He has written about “techno tourism” and other forms of musical mobility in Berlin, and he is a member of Berlin’s queer intersectional rave collective, Room4Resistance. His forthcoming book, entitled Together Somehow: Music, Affect, and Intimacy on the Dancefloor (Duke UP), draws upon earlier ethnographic research in Paris, Berlin, and Chicago.

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Keynote lecture:
Bouncers & Multiculturalism, #DJsForPalestine, And Other Tales”

This keynote lecture provides a perspective on race/ethnicity and racism in European electronic dance music scenes through a bundle of vignettes from Luis Manuel Garcia-Mispireta’s (LMGM) past and current research. This will include a preview of the chapter “Bouncers & Multiculturalism” from his forthcoming book, Together Somehow: Music, Affect, and Intimacy on the Dancefloor (Duke UP), as well as ongoing research on the reception of the #DJsForPalestine campaign (2018) in Germany—including an update on noteworthy developments in June 2021. 


Music industry panelists



Jason “Timbuktu” Diakité

 
Photo: Terese Öhrvall

Photo: Terese Öhrvall

Jason Diakité, known under the stage name Timbuktu, is a Swedish musician, author and media personality. He started his career in the mid-1990s and released his first full length album in 1999 together with Danish producer Obi as the duo Excel. His debut solo album T2: Kontrakultur (2000) was a double album; one side with Swedish songs and the other with English. Since then, Timbuktu has performed mostly in Swedish and released 10 solo studio albums, as well as three albums with the group Helt Off among several other collaborations. His latest album, Du Gamla Du Nya, released in August this year, has been dubbed in many reviews his best album yet. He has hosted several radio shows and actively participated in political debates in Sweden. In 2016, Timbuktu published the highly acclaimed memoir En Droppe Midnatt, which took the form of a theatre production the following year and was in 2020 translated to English as A Drop of Midnight. He has won several Grammis awards, the highest music awards in Sweden, including Lyricist of the Year and best Hip-hop Record of the Year.

Renaz Ebrahimi

 
 

Renaz Ebrahimi is a music journalist and social justice educator specialized in popular music, equality and cross media. She also works as a social activist, expert and as a speaker for MySpeaker and SpeakersForum among other companies. Ebrahimi deals in her work with the societal dimensions of music, such as racism and sexism in the Finnish music industries and music culture. She appears frequently in the media and for example the Finnish Broadcasting Company (Yle) as an expert on issues of equality and she has initiated several significant conversations on the topic in the media. As a journalist and presenter Ebrahimi has worked at YleX, Yle Kioski and at Radio Helsinki and she also runs her own Random Life media platform. Ebrahimi has collaborated with several researchers, artists, NGOs and other societal actors.

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Lena Midtveit

 

Lena Midtveit is Managing Director for Sony Music Norway AS. She has worked in the music industry in Norway since 1993. First at BMG Norway AS where she covered areas from finance, over to promo and then marketing. She became GM for BMG Norway in 2000 and later Managing Director. In the merger between BMG and Sony Music in 2005 she was asked to take the role as Managing Director and has been holding that role ever since. Sony Music Norway is one of the leading majors in Norway and co-own labels/managements like Nora Collective AS, Petroleum Records and Popular Demand.

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MODERATOR: Anthony Kwame Harrison

 

Anthony Kwame Harrison is the Edward S. Diggs Professor in Humanities at Virginia Tech (USA). He is author of two books—Hip Hop Underground (Temple University Press, 2009) and Ethnography (Oxford University Press, 2018)—and co-edited Race in the Marketplace: Crossing Critical Boundaries (Palgrave Macmillan, 2019). Kwame’s work appears widely in many popular music studies journals and edited volumes. He is on the editorial board of the Journal of Popular Music Studies and the advisory board of the Race in the Marketplace (RIM) research network.

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